RHINELAND INDEPENDENT

The Julia Stoschek Collection is one of the world’s most comprehensive private collections of time-based art, dedicated to the public presentation, advancement, conservation, and scholarship of media and performance practices. With over 860 artworks by 282 artists from around the world, the collection’s contemporary focus is rooted in artists’ moving image experiments from the 1960s and ’70s. Artworks from the collection have been presented in large-scale solo and group exhibitions at JSC Düsseldorf since 2007.

From left to right: Mark Leckey, Parade, 2003; WangShui, From Its Mouth Came a River of High-End Residential Appliances, 2018. Installation view, JSC ON VIEW: MYTHOLOGISTS, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

From left to right: Klara Lidén, Grounding, 2018; Mark Leckey, Fiorucci Made Me Hardcore, 1999; Parade, 2003. Installation view, JSC ON VIEW: MYTHOLOGISTS, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Klara Lidén, Grounding, 2018. Installation view, JSC ON VIEW: MYTHOLOGISTS, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Wu Tsang, Wildness, 2012. Installation view, JSC ON VIEW: MYTHOLOGISTS, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

From left to right: Laure Prouvost, They Parlaient Idéale, 2019; Mike Kelley, Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011. Installation view, JSC ON VIEW: MYTHOLOGISTS, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

From left to right: Jamie Crewe, Pastoral Drama, 2018; Natascha Sadr Haghighian, Artificial Life, 1995; Laure Prouvost, They Parlaient Idéale, 2019. Installation view, JSC ON VIEW: MYTHOLOGISTS, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Jamie Crewe, Pastoral Drama, 2018. Installation view, JSC ON VIEW: MYTHOLOGISTS, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Jeremy Shaw, Quickeners, 2014, 16mm film transferred to video, 36′24″, color, sound. Installation view, JEREMY SHAW, QUANTIFICATION TRILOGY, JSC Düsseldorf. Photo: Timo Ohler.

Jeremy Shaw, Liminals, 2017, 16mm film and HD video transferred to video, 31′25″, color, sound. Installation view, JEREMY SHAW, QUANTIFICATION TRILOGY, JSC Düsseldorf. Photo: Timo Ohler.

Installation view, JEREMY SHAW, QUANTIFICATION TRILOGY, JSC Düsseldorf. Photo: Timo Ohler.

Jeremy Shaw, I Can See Forever, 2018, two-channel HD video installation; VHS video and HD video transferred to video, 44′05″, color, sound. Installation view, JEREMY SHAW, QUANTIFICATION TRILOGY, JSC Düsseldorf. Photo: Timo Ohler.

From left to right: Christoph Schlingensief, Diana Altar, 2006; Message in a Bottle, 2008; Affenbilder, 2005. Installation view, CHRISTOPH SCHLINGENSIEF: MESSAGE IN A BOTTLE, JSC Düsseldorf. Photo: Simon Vogel. Courtesy of the Estate of Christoph Schlingensief.

Christoph Schlingensief, Affenbilder, 2005, 6 photo prints on canvas, dimensions variable. Part of The Animatograph, German Edition: Odin’s Parsipark, Neuhardenberg, 2005. Photos: Aino Laberenz. Installation view, CHRISTOPH SCHLINGENSIEF: MESSAGE IN A BOTTLE, JSC Düsseldorf. Photo: Simon Vogel. Courtesy of the Estate of Christoph Schlingensief.

Christoph Schlingensief, I want to destroy, 2005, video, 1′39″, color, sound. Part of The Animatograph, Iceland Edition: House of Obsession, Reykjavík, 2005. Installation view, CHRISTOPH SCHLINGENSIEF: MESSAGE IN A BOTTLE, JSC Düsseldorf. Photo: Simon Vogel. Courtesy of the Estate of Christoph Schlingensief.

Lutz Mommartz, Soziale Plastik, 1969, 16mm film transferred to video, 11′41″, b/w, no sound. Video still. Courtesy of the artist.

JULIA STOSCHEK COLLECTION
Schanzenstrasse 54
40549 Düsseldorf
+49 211 5858840
www.jsc.art

SUN 11 AM - 6 PM
Admission is free